I had a great time in Lofoten earlier this month — more precisely at a surfing spot near a village called Unstad, lighting a short film for my friend Torkel Riise Svenson. The film is about a surfer who is forced to move away from the beach by the local authorities because they want to make way for German tourists, but of course, he’s not going to make it that easy for them. [3]
How do you approach the shot making process when working with a director on a film project? When most young directors say they want it … [0]
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