I had a great time in Lofoten earlier this month — more precisely at a surfing spot near a village called Unstad, lighting a short film for my friend Torkel Riise Svenson. The film is about a surfer who is forced to move away from the beach by the local authorities because they want to make way for German tourists, but of course, he’s not going to make it that easy for them. [3]
I won’t spend too much time writing about HDSLR on this site, but I am interested in finding out what they’re good for. Unlike others, I am a bit skeptical to the current generation, and after testing them on a few projects, I am still convinced that this is nowhere near what you would expect from a professional digital motion picture camera. However, it is a very affordable tool with a specific aesthetic (due to sensor size) that few other solutions in the same price range can offer. This is my take on the format and how to avoid the biggest issues associated with it. [9]
We are wrapping up our first proper project together in Lillehammer, a 4 minute sequence from an imagined longer story entitled “The Settlement” (attempted … [2]
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